Clothing protects the vulnerable nude human body from extremes of weather and other features of the environment. It is worn for safety, comfort, modesty and to reflect religious, cultural and social meaning. Human beings are the only creatures known to wear clothing voluntarily, although some people put clothing on their pets.
People also decorate their bodies with makeup or cosmetics, scented perfume, and other ornamentation; they also cut, dye, and arrange the hair of their heads, faces, and bodies (see hairstyle), and sometimes also mark their skin (by tattoos, scarifications, and piercings). All these decorations contribute to the overall effect and message of clothing, but do not constitute clothing per se.
Articles carried rather than worn (such as purses, canes, and umbrellas) are normally counted as fashion accessories rather than as clothing. Jewelry and eyeglasses are usually counted as accessories as well, even though in common speech these items are described as being worn rather than carried.
The practical function of clothing is to protect the human body from dangers in the environment: weather (strong sunlight, extreme heat or cold, and precipitation, for example), insects, noxious chemicals, weapons, and contact with abrasive substances, and other hazards. Clothing can protect against many things that might injure the naked human body. In some cases clothing protects the environment from the clothing wearer as well (example: medical scrubs).
Humans have shown extreme inventiveness in devising clothing solutions to practical problems and the distinction between clothing and other protective equipment is not always clear-cut. See, among others: air conditioned clothing, armor, diving suit, swimsuit, bee-keeper's costume, motorcycle leathers, high-visibility clothing, and protective clothing.
Style snatch
Monday, November 26, 2007
What is Design?
he nature of design is equally as complex as that of technology. Archer wrote that:
“Design is that area of human experience, skill and knowledge which is concerned with man’s ability to mould his environment to suit his material and spiritual needs.” 1
Design is essentially a rational, logical, sequential process intended to solve problems or, as Jones put it:
“initiate change in man-made things” 2
For the term “design process,” we can also read “problem-solving process”, which in all but its abstract forms works by consultation and consensus. The process begins with the identification and analysis of a problem or need and proceeds through a structured sequence in which information is researched and ideas explored and evaluated until the optimum solution to the problem or need is devised.
Yet, design has not always been a rational process; up until the Great War design was often a chaotic affair in that consultation and consensus were barely evident. Design was not a total process. The work of participants in the process was often compartmentalised, each having little if any input in matters which fell outside the boundaries of their specific expertise. Thus, participants explored their ideas unilaterally, with one or another participant, through virtue of their “expertise”, imposing constraints upon all others. In this way, the craftsman has a veto on matters to do with skill or availability of materials, the engineer had a veto on technological considerations, and the patron alone could impose considerations of taste and finance.
During the inter-war years the Bauhaus movement attempted to knit the design process into a coherent whole in that students were encouraged to study design in a way that was both total and detailed. That is, designers were expected to balance all the considerations that came to bear upon the design of particular artefacts, systems and environments. In this way, though, design quickly evolved into a closed activity - an activity in which all but the designers themselves has little if any valid input to make on questions of materials, taste . . . and so on. Designers came to exist within a social bubble, consulting no-one but other designers. The result was that many designs conceived particularly during the immediate post-Second World War period did little to satisfy the needs of users. Such designs were exemplified by the disastrous housing policies adopted by many local authorities in the UK who built residential tower block after residential tower block. These were essentially realisations of dreamy design concepts rather than solutions to the social, cultural and environmental needs of the local populations.
Recent years have marked a sharp reaction against the design movement, which has perhaps been personified by Prince Charles and has crusade against architectural “carbuncles”. Likewise, individuals within society have sought to express their own tastes, their own individuality, personal style and personal self-image through what they use and purchase. Thus it is that design is not an activity solely for engineers and designers but is a shared activity between those who design artefacts, systems and environments, those who make them and those who use them.
Fashion Directory
“Design is that area of human experience, skill and knowledge which is concerned with man’s ability to mould his environment to suit his material and spiritual needs.” 1
Design is essentially a rational, logical, sequential process intended to solve problems or, as Jones put it:
“initiate change in man-made things” 2
For the term “design process,” we can also read “problem-solving process”, which in all but its abstract forms works by consultation and consensus. The process begins with the identification and analysis of a problem or need and proceeds through a structured sequence in which information is researched and ideas explored and evaluated until the optimum solution to the problem or need is devised.
Yet, design has not always been a rational process; up until the Great War design was often a chaotic affair in that consultation and consensus were barely evident. Design was not a total process. The work of participants in the process was often compartmentalised, each having little if any input in matters which fell outside the boundaries of their specific expertise. Thus, participants explored their ideas unilaterally, with one or another participant, through virtue of their “expertise”, imposing constraints upon all others. In this way, the craftsman has a veto on matters to do with skill or availability of materials, the engineer had a veto on technological considerations, and the patron alone could impose considerations of taste and finance.
During the inter-war years the Bauhaus movement attempted to knit the design process into a coherent whole in that students were encouraged to study design in a way that was both total and detailed. That is, designers were expected to balance all the considerations that came to bear upon the design of particular artefacts, systems and environments. In this way, though, design quickly evolved into a closed activity - an activity in which all but the designers themselves has little if any valid input to make on questions of materials, taste . . . and so on. Designers came to exist within a social bubble, consulting no-one but other designers. The result was that many designs conceived particularly during the immediate post-Second World War period did little to satisfy the needs of users. Such designs were exemplified by the disastrous housing policies adopted by many local authorities in the UK who built residential tower block after residential tower block. These were essentially realisations of dreamy design concepts rather than solutions to the social, cultural and environmental needs of the local populations.
Recent years have marked a sharp reaction against the design movement, which has perhaps been personified by Prince Charles and has crusade against architectural “carbuncles”. Likewise, individuals within society have sought to express their own tastes, their own individuality, personal style and personal self-image through what they use and purchase. Thus it is that design is not an activity solely for engineers and designers but is a shared activity between those who design artefacts, systems and environments, those who make them and those who use them.
Fashion Directory
What Is Karaoke?
Singing Karaoke has become a world wide favorite in the past 10 to 15 years, that has proven it's staying power among those that love music, and want to get into the act by doing more than being just a spectator. Most anyone who loves music, is a singer or an air guitarist, right? Karaoke offer average people the opportunity to do something extraordinary . . . get up on stage and perform the songs of their favorite stars. Karaoke singers have great fun as they "do their thing" on stage, and actually become stars among their friends & peers in the crowd watching.
It's more about fun, than about singing really good, and the beauty of it is that anyone can do it! Many of our cultural icons are known to show up at Karaoke shows & sing into the wee hours of the morning, because it's just so much fun!
The Karaoke music has come a long way since it's inception in the early 70s due to modern technology. Today, the music is top quality, and the lyrics to your favorite songs are displayed on a TV monitor on stage for singers to follow using CD+G discs. (music on compact discs, with graphics for the lyrics)
In fact, most of today's big name recording stars use this format while performing live to insure they don't forget the words to the songs. (there's nothing more embarrassing than being a big star, and forgetting your lines!) Remember seeing all those monitors on stage while you're favorite star is performing? Well, one of them has a TV monitor built into it, so the performer can see the lyrics come across the screen. This is a major secret that big time artists, and recording companies don't want the public to find out! Karaoke is so big, those in the "big time" are using it to help them perform live concerts.
Elvis Presley was the first star to use this format, although he didn't have it on a TV monitor. He had cue cards with the lyrics to his songs on them, which led to further development of this idea using technology. To see Elvis using this concept in concert, just watch the old videos of Elvis in Hawaii. When the camera pans the crowd, you'll see a guy in front of the stage with big cue cards that have Elvis' lyrics written on them. Huh . . . Imagine that! The King of Rock n Roll, singing Karaoke!
It is claimed that Jimmy Hendrix was the first recording artist to produce an actual CD+G. Only difference was that his creation had psychedelic graphics, and not words, that moved to the music (acid anyone?). But still, his creation gave birth to the idea, and the technology of producing what is now know as the modern day Karaoke CD+G discs that are the foundation to what has become a world wide entertainment phenomenon that's constantly growing in popularity, and is here to stay!
The best music tracks are still produced by actual musicians in a recording studio. There are some "midi" karaoke songs, with the music created on computers, but we don't recommend them because they're so cheesy, They sound like elevator music, or Muzac. The CD+G format is the accepted standard of singers and KJs the world over, and this won't be changing anytime soon.
After the track is produced to sound almost identical to the original artist's recording, they put it into a computer (as a .wav file) and Graphics are added which are backgrounds (usually black, or blue in color) and the lyrics to the song being produced. The lyrics change form screen to screen similar to an animated slide show, with each screen showing up at the right time according to the song being played, so the singer can see the lyrics when needed.
The song lyrics are highlighted in time with the original lead singer, and the manufacturer of the Karaoke music has in studio singers to lay down the back-up vocals for songs that have background singing. When done right, it's hard to tell that the music track is not the original artist's studio music. This provides today's Karaoke enthusiasts very realistic sounding music to back them up, as they get up on stage and become the star that they are!
These days, you can find Karaoke shows in most any city, from the large metropolitan areas, to small rural communities, in the U.S. and across Europe, Australia, parts of Africa, Asia, and in Japan where Karaoke originated from and is still very big. Of course it was American ingenuity that has brought Karaoke to it's high~tech state of existance that it enjoys today.
Karaoke shows are most often found in nightclubs, bars, and cocktail lounges. Sometimes the venue puts on the show themselves, but most of the time there is a Karaoke operator, or KJ (Karaoke Jockey), that has spent thousands of dollars on sound equipment, and Karaoke music (which is the most expensive part of being a Karaoke operator), so they can provide fun & entertainment for the patrons of the venue in which they are playing.
As Karaoke singers get to the show, they thumb through the KJ's "songbook", which lists all the songs that are available to be performed on stage. Singers are usually provided with "sign-up slips" so they can sign up for their turn to sing on stage by writing down their name, the song they wish to sing, as well as the song number which is found in the KJ's songbook. This song number is an organizational feature used by the KJ to enable him to quickly find your song in his/her music selection, when it comes time to call a singer up to the stage to perform.
The KJ runs a "rotation" to keep the show organized, and is intended to make the show fair for all, and to allow as many people as possible to have their turn singing on stage. It's standard practice to have singers come up & perform in the order that the KJ received the singer's sign-up slips (first come, first served). The KJ himself will usually starts the show off by singing the first song themselves, as well as singing at the "top" of each rotation (that's after the last person in line sings, and it's time to start over with the first person in line again)
The KJ is being paid by the venue that the show is being hosted in, to provide entertainment for the patrons of that venue. The KJ's job is to create a fun, relaxed atmosphere for singers to sing karaoke and enjoy themselves. The show is not about the KJ showing off, and singing a bunch of times, or letting his friends sing a lot. It is recommended that if you witness such activity that you notify the manager, or owner of the venue, so they can correct the situation, and return the show to it's original intent . . . allowing people to have fun singing!
Sold, yet? Singing Karaoke is very fun, and addictive, once you give it a try & get up on stage and sing! There's no need to be nervous, as everyone you see singing had their first time singing in front of the crowd too. Experienced singers might not tell you this, but 99% of everyone singing their very first song, didn't sound real good. That's the beauty of singing karaoke . . . it's all about fun, and anyone can do it! And every one gets better the more they sing. Heck, some go on to sing in bands, and other places thanks to the experience, and self confidence gained by singing Karaoke.
Experience the rush of singing one of your favorites tonight! Find a Karaoke show near you, and dive in . . . the water is fine! You'll be glad you did, and you'll make some good friends along the way.
Bloggeros
It's more about fun, than about singing really good, and the beauty of it is that anyone can do it! Many of our cultural icons are known to show up at Karaoke shows & sing into the wee hours of the morning, because it's just so much fun!
The Karaoke music has come a long way since it's inception in the early 70s due to modern technology. Today, the music is top quality, and the lyrics to your favorite songs are displayed on a TV monitor on stage for singers to follow using CD+G discs. (music on compact discs, with graphics for the lyrics)
In fact, most of today's big name recording stars use this format while performing live to insure they don't forget the words to the songs. (there's nothing more embarrassing than being a big star, and forgetting your lines!) Remember seeing all those monitors on stage while you're favorite star is performing? Well, one of them has a TV monitor built into it, so the performer can see the lyrics come across the screen. This is a major secret that big time artists, and recording companies don't want the public to find out! Karaoke is so big, those in the "big time" are using it to help them perform live concerts.
Elvis Presley was the first star to use this format, although he didn't have it on a TV monitor. He had cue cards with the lyrics to his songs on them, which led to further development of this idea using technology. To see Elvis using this concept in concert, just watch the old videos of Elvis in Hawaii. When the camera pans the crowd, you'll see a guy in front of the stage with big cue cards that have Elvis' lyrics written on them. Huh . . . Imagine that! The King of Rock n Roll, singing Karaoke!
It is claimed that Jimmy Hendrix was the first recording artist to produce an actual CD+G. Only difference was that his creation had psychedelic graphics, and not words, that moved to the music (acid anyone?). But still, his creation gave birth to the idea, and the technology of producing what is now know as the modern day Karaoke CD+G discs that are the foundation to what has become a world wide entertainment phenomenon that's constantly growing in popularity, and is here to stay!
The best music tracks are still produced by actual musicians in a recording studio. There are some "midi" karaoke songs, with the music created on computers, but we don't recommend them because they're so cheesy, They sound like elevator music, or Muzac. The CD+G format is the accepted standard of singers and KJs the world over, and this won't be changing anytime soon.
After the track is produced to sound almost identical to the original artist's recording, they put it into a computer (as a .wav file) and Graphics are added which are backgrounds (usually black, or blue in color) and the lyrics to the song being produced. The lyrics change form screen to screen similar to an animated slide show, with each screen showing up at the right time according to the song being played, so the singer can see the lyrics when needed.
The song lyrics are highlighted in time with the original lead singer, and the manufacturer of the Karaoke music has in studio singers to lay down the back-up vocals for songs that have background singing. When done right, it's hard to tell that the music track is not the original artist's studio music. This provides today's Karaoke enthusiasts very realistic sounding music to back them up, as they get up on stage and become the star that they are!
These days, you can find Karaoke shows in most any city, from the large metropolitan areas, to small rural communities, in the U.S. and across Europe, Australia, parts of Africa, Asia, and in Japan where Karaoke originated from and is still very big. Of course it was American ingenuity that has brought Karaoke to it's high~tech state of existance that it enjoys today.
Karaoke shows are most often found in nightclubs, bars, and cocktail lounges. Sometimes the venue puts on the show themselves, but most of the time there is a Karaoke operator, or KJ (Karaoke Jockey), that has spent thousands of dollars on sound equipment, and Karaoke music (which is the most expensive part of being a Karaoke operator), so they can provide fun & entertainment for the patrons of the venue in which they are playing.
As Karaoke singers get to the show, they thumb through the KJ's "songbook", which lists all the songs that are available to be performed on stage. Singers are usually provided with "sign-up slips" so they can sign up for their turn to sing on stage by writing down their name, the song they wish to sing, as well as the song number which is found in the KJ's songbook. This song number is an organizational feature used by the KJ to enable him to quickly find your song in his/her music selection, when it comes time to call a singer up to the stage to perform.
The KJ runs a "rotation" to keep the show organized, and is intended to make the show fair for all, and to allow as many people as possible to have their turn singing on stage. It's standard practice to have singers come up & perform in the order that the KJ received the singer's sign-up slips (first come, first served). The KJ himself will usually starts the show off by singing the first song themselves, as well as singing at the "top" of each rotation (that's after the last person in line sings, and it's time to start over with the first person in line again)
The KJ is being paid by the venue that the show is being hosted in, to provide entertainment for the patrons of that venue. The KJ's job is to create a fun, relaxed atmosphere for singers to sing karaoke and enjoy themselves. The show is not about the KJ showing off, and singing a bunch of times, or letting his friends sing a lot. It is recommended that if you witness such activity that you notify the manager, or owner of the venue, so they can correct the situation, and return the show to it's original intent . . . allowing people to have fun singing!
Sold, yet? Singing Karaoke is very fun, and addictive, once you give it a try & get up on stage and sing! There's no need to be nervous, as everyone you see singing had their first time singing in front of the crowd too. Experienced singers might not tell you this, but 99% of everyone singing their very first song, didn't sound real good. That's the beauty of singing karaoke . . . it's all about fun, and anyone can do it! And every one gets better the more they sing. Heck, some go on to sing in bands, and other places thanks to the experience, and self confidence gained by singing Karaoke.
Experience the rush of singing one of your favorites tonight! Find a Karaoke show near you, and dive in . . . the water is fine! You'll be glad you did, and you'll make some good friends along the way.
Bloggeros
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